HOME ASK ARCHIVE THEMES

Flameo hotman, my name is Gladyfaith Abcede! I'm one of those darn Illustration students.

If you want to see my art instead of my reblogs and photos, there be da links below.
~

ART TUMBLR here

old drawings tag --> here
~

deviantart-->gladyfaith@ dA

francismanapul:

thoughtnami:

francismanapul:

hey folks Flash #3’s release is on the horizon, due out November 23rd. Here is a behind the scenes process work.

-It all starts with a conversation over skype. Brian is in L.A and I’m in Toronto, but through skype we can work together as if we’re in the same room. In fact whenever I see him I feel weird saying goodbye cause I know I’ll see him again either later that day or the next day. hehe.. Anyways, Brian and I usually chat about the plot, and we also take advantage of the screen share option so that we can see what each other is working on. During this conversation, we’ll write down what we talked about and pass it back and forth.

-Once the plot is done I start with the layouts. We use layouts not just as images but almost another step in “writing” except with images. It helps us pace a story out properly so that we fully utilize the rhythmic beats you can accomplish with sequential storytelling. Sometimes it flows out really easily, but sometimes I stare at the screen, trying to think of what that first shot will be and how the sequence will unfold. As for the work itself I do these digitally, it’s just easier to see the whole image that way. I have a template that has 20 pages on it and I start with that.

-Step two is I start penciling the pages in. My pencils are fairly rough, but detailed enough that I know all the information. I do most of the rendering at my inking and water color stage.

-Once done penciling I move on to inking, and water colors. I work in black and white, but I then scan the pages in and tweak the color tones, so that they blend better with Brian’s colors.

-during this time period Brian and I go over the layouts for the entire book and discuss what the dialogue will be. We have a rough idea of what the subject of conversation will be during the plotting stage, but it really comes to life at the layout stage. It helps us keep the images and what’s said in synch and not have to be redundant in the image and textual information. We usually pass dialogue ideas back and forth in a .doc file and tweak and tweak. It’s more of a natural progression, we let it evolve along with the art as I come closer to finishing the pages.

-For page 2-3 in particular, I changed it from the original layout by adding credit panels. I was in the studio working and i didn’t like the idea of doing the credits in the gutters again (we did that already in issue 2) so I actually created panels that would have the credits. But what made it really work was when Marcus To suggested not just leaving the panels black with the credits but to draw close ups of the Flash. From there It clicked in my brain to give it a more “iconic” look rather than traditional drawing, which inspired those teaser ad’s that I created back then. Because I had a very clear vision of how I wanted the credits to look, I ended up just doing the credit text myself in Photoshop. I don’t have a lotta font’s but I wanted them simple anyways and I think it works since the text doesn’t take away from the spread by standing out too much.

And that’s pretty much it. From what you see up there is what I send over to Brian who then does his magic. If you’re interested in checking out the full colored preview along with the lettering check out ComicVine’s post about it. (Thanks for the kind words by the way!)

Also I just wanted to remind you folks to help out and donate on my Movember page

thanks for reading!

Francis. Mr. Manapul because we haven’t been properly introduced and I don’t know you well enough to address you just by your first name.

I’ve been enamored with your creative process. From what I’ve seen of your work on The Flash, it t takes typography, graphic design, and comic design to its zenith and combined them into an artform I think a generation will look back on in the same kind of awe as Eisner, Kirby, and Steranko. You should be proud, and thanks for allowing us to peer into your creative process.

Amazing work. 

wow not sure if I deserve that kinda praise…yet ;) I really appreciate your kind words, and for seeing the complexity in simplicity, and you can call me Francis :)

I also wanted to take this opportunity to say that I read all the replies here and can’t reply to all as easily as I could on say-twitter, but I wanted to thank you all for your positivity and support of my work! You folks are the best!

Okay I think that cover itself has convinced me to start buying Flash. It looks like it came straight out of my Modern Design History book and that is saying something.

(via marcusto)

6 months ago  
 170 notes

#francis manipul #the flash
170 notes
  1. onemoreartreferenceblog reblogged this from francismanapul
  2. villains-defiant reblogged this from francismanapul
  3. beamkatanachronicles reblogged this from calluvion
  4. calluvion reblogged this from francismanapul
  5. ninjacats00 reblogged this from francismanapul
  6. aleams reblogged this from francismanapul
  7. ealperin reblogged this from agnesgarbowska
  8. annettie reblogged this from marcusto
  9. itomakichan reblogged this from marcusto
  10. highflyhero reblogged this from speedforceorg
  11. rokkenrou reblogged this from speedforceorg
  12. speedforceorg reblogged this from francismanapul
  13. joannaestep reblogged this from areyoutryingtodeduceme
  14. trepidity reblogged this from marcusto and added:
    Okay I think that cover itself has convinced me to start buying Flash. It looks like it came straight out of my Modern...
THEME BY zxcvbnmLOVE